out of print for quite a few years now, this album is a stunning power-pop gem recorded at a time when this kind of girl group pairing with punk rock was unusual.
canceled ! 80s maxis original sound ! bad boys blue 1980er dancepop aber vom allerfeinsten ! incl their hits pretty young girl, you re a woman, iwanna hear you heratbeat and more !
we are the ocean’s third album “maybe today, maybe tomorrow”, pressed on vinyl for the first time in celebration of the 10th anniversary of its original release. limited opaque cream pressing.
julen y la gente sola s debut is one of the most remarkable uruguayan albums of the last decade. the ten songs included here trace a path that unites twee pop with indie rock, filtered by clear influences from montevidean singersongwriters. their lyrics narrate, with a bittersweet look at mundane details, acid humor and honest sentimentality, stories about what it means to be young and lost in a small country.
on in your eyes remixed maschinerie – the young electropop-duo from cologne – has reworked their debut single from 2018. the two original versions are completely remastered. both of the remix artists have focussed on individual and significant reinterpretations: k-paul – the berlin legend – stays next to definition, which is unsepararable part of the swiss techno-scene since quite a few years. the vinyl combines inspiring and refreshing pop music and modern clubsound. strictly limited to 250 pieces – you better dont miss this!
brioche announces himself on the young toulouse-based arts collective shawarma records. this tape is a collection of 303 pummelled jams, shredded fresh from the spike and already turning a little fuzzy. hard hitting, machine-driven kick drums, breathy hats and fired up and squelchy stomach acid combine to create a monstrous, floor destroying club weapon.
the young nordic label is back at it with a sturdy 12” vinyl release, produced by the helsinki underground electronic music champion poly sone. the three tracker kicks off with an intro track titled “come find me” which combines stripped down rhythm patterns with a subtle choir pad. on top of the foundation, an entrancing spoken word verse works as the main ingredient throughout the track. as the needle pushes onwards to the title track “echolocate”, the listener is confronted with a robust wall of lowend, soon accompanied by rolling percussions and clever use of reverb and delay. the simple composition highlights its sterling production and makes for a highly useful dancefloor tool. the last track “helix” bundles up the record nicely as the most melodic one of the bunch. the agile synth stabs and dystopic pads operate on a surprisingly groovy soil of bass and drums which add up to a dreamy whole.
the first vinyl version of the upcoming cd album with some magical works of unit moebius. this first 12inch contains some of their hottest tracks including the legendary >world goes around<, an evil cover of a classic chicagohouse track by cool mccool. the flip side contains the more deeper side from their first releases. for those who were there in those years 91/92/93, at the famous parties in the hague and rotterdam, this is a walk down memory lane, for those to young or living in other parts of the world... imagine these tracks in a dark, very dark sweaty basement with only strobe light and smoke machines, camouflage nets, and jacking acid and techno sounds for more then 10 ours. djs such as i-f, serge, schmerzlabor, peter ptau ptau and live acts such as unit moebius played the hottest and freshest music all night long until you lost your sense of time and place and ended in a total mind trip. the pure essence of house and techno! the golden years :-)
SPECTROGRAPHIES MUSIC FROM THE MOTION PICTURE BY SMITH (LP)
12 Inch LP Pre sale
during one long winter s night in a neon-lit paris, a restless young man wanders around to let himself be found by something that most people otherwise try to avoid: ghosts. and the night is full of unexpected encounters in this ultra-chic film, which is neither documentary nor fiction, but rather an adaptation of the idea that jacques derrida defines in a guest star appearance on the cinema screen: that film plus psychoanalysis is equal to the science of ghosts - ie. a form of spectrography , which the french artist smith in her self-ironic, self-conscious, science-fiction essay of a film, conjures up with thermal infrared and in the dialogue s mosaic of quotes of rambling french philosophy, from breton and barthes to merleau-ponty and derrida himself. hyper-modern and rich in (retro) references.
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